Building on the success of last year’s Scotia Festival with violin superstar James Ehnes, this year’s Festival promises to be another exciting event, featuring American composer and performer Philip Glass (philipglass.com).
Said Managing and Artistic Director, Chris Wilcox, “I’m excited about this year’s Festival newcomers: violinist Axel Strauss playing Strauss, young hot-shot Cameron Crozman lugging his million dollar Stradivarius cello around, and the amazing Andrew Armstrong performing Rachmaninoff’s monumental Piano Sonata No. 2.Yes, there are a lot of old favourites by Bach, Brahms, Mendelssohn, Schubert, Ravel, Tchaikovsky etc., but right in the middle of all of the action, out from behind the bars, appears Philip Glassfor four nights playing and talking about his music. It’s going to be a great Festival!”
A frequent visitor to Nova Scotia, through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Woody Allen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.
The operas – Einstein on the Beach, Satyagraha, Akhnaten, and The Voyage, among many others – play throughout the world’s leading houses, and rarely to an empty seat. Glass has written music for experimental theater and for Academy Award-winning motion pictures such as The Hoursand Martin Scorsese’s Kundun, while Koyaanisqatsi, his initial filmic landscape with Godfrey Reggio and the Philip Glass Ensemble may be the most radical and influential mating of sound and vision since Fantasia. His associations, personal and professional, with leading rock, pop and world music artists date back to the 1960s, including the beginning of his collaborative relationship with artist Robert Wilson. Indeed, Glass is the first composer to win a wide, multi-generational audience in the opera house, the concert hall, and the dance world, in film and in popular music – simultaneously.
He was born in 1937 and grew up in Baltimore. He studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger (who also taught Aaron Copland, Virgil Thomson and Quincy Jones) and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble – seven musicians playing keyboards and a variety of woodwinds, amplified and fed through a mixer.
The new musical style that Glass was evolving was eventually dubbed “minimalism.” Glass himself never liked the term and preferred to speak of himself as a composer of “music with repetitive structures.” Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, and develops.
There has been nothing “minimalist” about his output. In the past 25 years, Glass has composed more than twenty operas, large and small; ten symphonies (with others already on the way); two piano concertos and concertos for violin, piano, timpani, and saxophone quartet and orchestra; soundtracks to films ranging from new scores for the stylized classics of Jean Cocteau to Errol Morris’s documentary about former defense secretary Robert McNamara; string quartets; a growing body of work for solo piano and organ. He has collaborated with Paul Simon, Linda Ronstadt, Yo-Yo Ma, and Doris Lessing, among many others. He presents lectures, workshops, and solo keyboard performances around the world, and continues to appear regularly with the Philip Glass Ensemble.
For information on all the performing artists at this year’s Festival, tickets, information and programs, call 902-429-9467 or go online at www.scotiafestival.com. If you would like to be on the Scotia Festival’s mailing list, please email firstname.lastname@example.org
This year’s Festival is generously supported by Comeau Seafoods.
Upcoming ConcertsFeb22Fri7:00 pm Winter Cabaret @ McInnes Room, Dalhousie UniversityWinter Cabaret @ McInnes Room, Dalhousie UniversityFeb 22 @ 7:00 pm – 9:00 pmGrab your dancing shoes for Sackville Community Band’s Winter Cabaret on Friday, February 22 at 7:00 p.m. at the McInnes Room, Dalhousie University (2nd Floor, Student Union Building, 6136 University Avenue). Ticket price is $20 and includes snacks, a 50-50 draw, cash bar, silent auction
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